Personal Work

My creative practice is rooted in movement. Running fuels both my inspiration and my process. I’m currently developing abstract, memory-based visuals that translate the rhythm, terrain and atmosphere of my routes into colour and form.

I’m always in motion, rarely still except when I’m drawing or painting, and my work carries that restlessness. I’m drawn to subjects that resist stillness: figures in motion, fleeting moments, passing landscapes. There is movement in the making, too. I mostly work standing, stepping in and out, redrawing lines across multiple images with whatever materials are at hand - always chasing momentum.

My process is messy, physical, instinctive: pages scattered around me, lines curving with their own speed and direction. My best work often comes in short, urgent bursts, usually straight after a run, when limited time sharpens my focus and the pressure brings a raw energy that drives the image forward.

I run to clear my head, to connect with my body and with nature. I run most days, through every season - each run feels different, even when the route is the same. This ritual has reshaped my creative practice, pushing me toward more abstract compositions and mark-making while maintaining vivid colours and my drive to capture motion.